The wind tio batter the window; the weather was colder in Engnd. Not far away, Billy rested from the annoyance of hearing gratutions over and ain, even in summer, clouds occasionally appeared in the summery weather.

  They arrived at a small music studio; they o record some songs for the MV, along with the participation of a British studio to make a small video for four of the songs. They would take the four most popur songs. Billy mentiohat to save costs, the song could be taken as a manda that swirls around for "Seven Nation Army," with shades of red, bck, gray, and white, ahat came to his mind on how to portray the video.

  -It's even harder now to i with ordinary people, - his mother ented, a fixed group of fans nearby, as two certs were a big shock for the UK, how his music through a song began to fill the whole musiviro.

  -Well, it was to be expected, - Billy ented.

  They arrived at the music studio; there were a total of five ideas for each song on how the music videos should be transformed, each idea rototype of what they were looking for, the fact that Billy didn't have an MVA was disrespectful, they needed a magnifit song.

  -The schedule for the week and a half, - Jerry ented, delivering the time for each rec, which runs from nine in the m until eight in the evening, aended schedule that is painful but necessary.

  The first video was for "Teenager."

  The video was Billy in a theater, while allegorical bands marched around the entire pce, while, in a small jump in time, the musid appeared walking through a ival, as they moved from side to side.

  The color palette, at Billy's request, was bd white; many of the movements were remarkable figures, going bad forth from one space to another, all in bd white. Billy had his eyes painted and vampire teeth. Following trends.

  The sed video, for "'t Stop."

  It was a dance video. As the song begins, the color palette ges tht and saturated tones, with the band expl different neighborhoods and urban spaces full of street art and graffiti, while people around perform some dances suitable for the presentation.

  The shots are interspersed with ses of people of all ages and backgrounds expressing their creativity through various forms of art, such as painting, dance, and musid how Billy participates in each activity, being successful in all, carrying trophies, and how triumph begins to shine from top to bottom.

  He films the special MVA for the music videos in a small studio in Engnd, taking into at all the songs and rec a minimum of three MVs, then after a while, he travels throughout Engnd.

  The third video, for "Like Stone."

  It's about a man sitting in the darkness, recalling his life. Billy appears shirtless, as the man transforms into Billy, he meets a girl he likes a lot. As they walk, he rets his entire life, the hard life he lived as a worker, and a father, and how they both start telling their life stories, giving a gentle kiss that awakens them.Principio del formurio

  The fourth video, "Be Yourself."

  An idea from Billy.

  Billy perf an exercise routine, fag off with strength against some other people, the fight for the championship, a struggle. It's a video focused on boxing, overing, and bat.

  The four MVs will be recorded in the ing months; for now, each MV be shot in small takes over two or three days, this is due.

  …

  -It's a lot of work for such a short time. But after this, we travel around Engnd, Mother, - Billy ented, seeing Agustina's expression.

  -I know, but now more things are ing up, you even have a photo shoot scheduled; it's fair that they ged the reservations we had. Oh well! I'll call the pces for week; maybe Jerry himself has some ideas about what we do, - Agustina ented, giving a slight go Jerry WWexler

  The old man could only shake his head. Although it might be a good opportunity for four days off, as long as they follow the protocols and call him about the trip... Billy's fame is siderable, but right now he's not very well known, they have fans, but all handsome men have them.

  They walked to the rec studio, which looked like a small citadel; multiple people were ing and going. Billy was taken by the makeup team; the first shots were all wide shots on a green s. From the green s, the shots would take some time to set up the small scripts.

  Agustina watched everything from a distance. While the band members received all the instrus they had to follow iudio, like the small steps they had to take while moving, to avoid problems in produ, because they wouldn't use high-end special effects, they would use a fast process. That required minimal body movements.

  -We'll take different shots, - ehe MV director. Billy didn't even pay attention and nodded; little did he know that the director taking notes was a famous man who would ter take big ses in the world of ema. Zayder.

  They took different shots; each shot was suitable for ag. In different takes, they followed the rhythm of each song, repeating each song three to four times.

  -Now you perform a t; you 't move beyond the designated frame, - Zayder ented.

  -Okay, - Billy murmured, extending a finger.

  They pyed softly; it was more of an imitation. oved the drumsticks slowly, not giving more than a simple movement. Billy hummed the song in a whisper, as the sound process had already been recorded iudio.

  -or, you've got the rhythm of the new song down, - Billy ented.

  For some time now, both Billy and or have been practig new ways to see a song. Billy takes the inal rhythms, but it's easy to tinue and polish different styles, even a single chord ge the whole song.

  -I have some; we try them at the hotel. I've got a little way to show the new rhythm; I've learned how to use the metronome and the ?, to 1/8 scales very well, - or ented.

  Interrupted by Zayder, they had to tih their work.

  Much ter, Billy found out that the owner of the video was Zayder, hitting his forehead with his hand at his carelessness.

  ...