Billy stepped in to give the band some pointers, chatting briefly with Spencer about the guitar rhythm and seeing if they could push it up a notch with each drumbeat.
-So that’s it. One sed. - An remarked, taking notes oher they could turn the song into something epic.
-Perfe and good moments are always about subtle ges. Sometimes less than a millised make the impact we aim for—or miss it entirely. Here, luckily, we’ve got a strong grip on what we call randomness, that work everyoakes franted. - Gee chimed in.
-His definition is spot-on. I love how he turn every rhythm to his adva’s almost like he’s telling us a story. - replied Josh Robert, an ardent fan of Billy.
-He’s got a European tour ing up, hitting several pces iember and part of October: nearly 10 cities in Spain, 7 in Pal, 9 in France, 9 in Italy, 11 in Germany, plus stops in Austria, Greece, and some Nordic tries. - said Michael Okcrs, a family friend who had taken it upon himself to look after Billy.
-When is he heading back to Engnd? - Gee Martin asked.
-Soon. He’s going to Latin America first to finish his Spanish album, then he’ll work on another movie or series, maybe some ercials, and e baext year. He loves t, but he prefers a more id-back schedule, resting his voice for a week or two between shows. - Michael expined, unsure if Billy would embrarueling tour.
-He should head to Japan, a, or India—massive markets. Even a 5% share of those poputions equals entire tries. - Gee Martin suggested, reizing the untapped potential of these regions.
-Later, perhaps. Right now, it’s important not to overburden someone so young. He’s worked tirelessly and is only 18. We’ve got 20 to 30 years to establish his legacy.- Michael reasoned.
…
Iudio, Billy took a deep breath. He was determio break the mold with one of his songs. Spencer’s guitar was a thrilling sonich, while Sugar Egg pyfully wrestled with or, and Jack’s bass thurack after track with mischievous precision. Billy ughed, and the sound was caught on tape.
His reverberating voice filled the room.
????????????????Os Prozac like Tic Tac,
He spends them with ad with Balzac
The other one likes Arjona and Coelho
Pys with her hair and wants to be a model
If one is loneliness
And two are pany
Three is like pying spy
Against KGB and CIA
????????????????
If you paid attention, the song seemed to echo his history with Avril and Alessandra. He wasn’t with either of them, though he could have been. One was hurt, and the other craved security—not someone who might repce her with someone newer. Yet, with both, he ehe pleasures of life.
Not many uood Spanish, but Michael, who had spent three years learning the nguage due to his e with Billy, picked up on some of it. Regardless, the music—pure, raw rock—spoke for itself. Billy ihe track with passion and a sensual iy that stirred those who heard his vocals.
The imagery he envisioned featured a woman in a sheer white shirt, dang seductively under red and violet lights—a maion of desire. It was a fleeting, evocative image that captivated the people iudio once again.
????????????????
One has the eden in her Bra
That one moves well the other ooo
One believes in goblins and fairies
The other one believes in Prada, doesn't believe anything
I don't know who I love the most
Nor who I bear the less
I've been a liar, an infidel
It wasn't good, but it was good
????????????????
The se shifted. Billy yered emotions into the song—his favorite type of vocal performance—eling the feeling of helplessness. The flict of wanting to be morally upright yet succumbing so easily to temptation. Musi this text, became a medium for expl pleasure and fleeting relief from ay.
Taking a measured breath, Billy added imagery of raindrops trailing down a windoturing the fleeting joy of sharing intimate moments with someone. From a present perspective or across varying scales of time, his imagined audieneeded this experience of falling and rising again—a poignant cycle that resonated deeply.
????????????????
And I have learhat loving two
It is the same as not loving any
Blonde Sun, Brue Moon
My tragedy is my fortune
And love two
It is the same as not loving any
Blonde Sun, Brue Moon
I don't know who I love the most
Nor who I bear the less
I've been a liar, an infidel
It wasn't good, but it wa
????????????????
-I really love that part. - Gee Martin remarked.
-It’s like the moment the song takes on a wicked edge, that rebellious streak we often fail to grasp fully. It’s a brilliant way to close the track. - Gee tinued, narrating how the song resolved itself. It told the story of a man fessing to having done something wrong but admitting he’d do it again—because he could, because it felt good, because it was who he was. A decration of uant authenticity.
-Could we release an English version? - Michael Okcrs asked.
-Too plex, - someone replied.
????????????????
And I have learhat loving two
It is the same as not loving any
Blonde Sun, Brue Moon
My tragedy is my fortune
And love two
It is the same as not loving any
Blonde Sun, Brue Moon
Of course it doesn't work
If we are three halves
When there are more than two people
There are always more than two truths
And until it all falls
Us ow
I keep loading my karma
I'm still lying with kisses
????????????????
Billy exhaled deeply as the song ehe producer gave his approval, and Billy sighed in relief. It was exactly what he wanted. Repeating a song more than five times could be exhausting for him.-Let’s move on to the one, - Billy said, ready to tackle what seemed to be another challenging track.
The song, “Ciudad Mágica (Tan Biónica),” was crafted to energize a crowd with its strong notes and iious melody. It was a song desigo inspire joy—a catchy rhythm with simple lyrics. Its structure allowed for a smooth flow, making it a standout track.
The Spanish album, for Billy, was a challenge. He mused about creating albums in Puese, Italian, and maybe French—the nguages he sidered most accessible. German, oher hand, felt beyond his reach. Still, singing in five nguages? No one had dohat, at least in rock. His eyes sparkled at the thought.
In cssical music, maestros like Julio Iglesias and Andrea Bocelli had achieved global fame across nguages—but in rock, this was uncharted territory.
...