Hollywood What If Chapter 295
June 9 arrived and it was Sunday, The Hangover Part 3 made another 14.62 million.
bihe first weekend of The Hangover Part 3 grossed 40.91 million.
If this trend tinues, perhaps The Hangover Part 3 could recoup its iment in just one more week.
Warner Bros. was fident in this movie after all these years. Especially when the writer was Kazir Grey. You couldn't help but be fident when someone like Kazir wrote a script. Because all the scripts he wrote were successful.
So far this year, three big-budget movies have been released. Star Wars Episode 2, The Hangover Part 3 and of course John Carter.
As far as John Carter is ed, the movie already es run in just 50 days. ema Alliance felt that it was useless for John Carter to have 300 theaters. It would be better if those theaters were allocated to other movies that seemed to be profitable, such as Star Wars Episode 2 and the newly released The Hangover Part 3.
After all, John Carter grossed 68 million at the North Ameri box office. To make the situation even crazier, it seemed that Walt Disney was desperate to recoup its iment and was still adamant about an iional release.
Michael Eisner found himself in a perilous situation where he could lose his job. The atmosphere at the Walt Disney was bleak and dark.
"Again, who said John Carter would be the start of a ematiiverse?"
Roy Disney gritted his teeth and muttered under his breath. The executives heard him despite his muttering.
"We o uand and study this failure so it doesn't happen again." Robert "Bob" Iger was the oh the most influen the pany right now.
This guy started goio head with the two Michaels, and he even kicked Michael Ovits out of his position as CEO.
Now Rer was the CEO.
As for the chairman, Michael kept his expression and acted like this was not his fault.
"The times are ging and we o innovate," Rer began his pn.
"I say we make a live-a Snow White."
"..."
Simple, but it seems good. At least. The executives were listening.
"Of course, there's a catch. We're going to make Snow White Hispanid the seven dwarfs aren't dwarfs at all, they're just regur people." Rer added.
"You're out of your mind if you think that will work. In the first pce, Snow White is named Snow White because of her white, pale skin! What's your sed idea? You want to make the Little Mermaid bck?" Michael Eisner replied.
"I know, that's why we have to be innovative. By the way, your idea also seems to have merit. We make a bck Little Mermaid."
"The audience isn't stupid, Robert. We're just being racist at this point. They know we are making fun of them. Disney is making fun of them!"
"No, the audience are stupid. People are stupid, and they'll buy tickets just to see our stupid movies. Why is that? Because we are Walt Disney. We make any kind of movie and we will call it revolutionary, no, woke is a better term. We will make woke movies." He paused to take a breath.
"Remember, the founder of Walt Disney is a racist and Nazi supporter."
"This is eous. This is not how Hollywood works!"
Robert was like a delusional man, believing that people were mindless creatures who would follow the will of the media.
"When it es to 3D animation, I say we teach kids how to twerk. Damn, I suddenly want to see She-Hulk twerk."
Yes, Walt Disney is crazy, and they deserve all the backsh they are currently suffering.
"I have an idea," the unnamed executive said, raising his hand slightly to get the attention of the executives.
The man began to speak, and his pn was more pleasing.
"Since we're looking for a ematiiverse, why don't we just acquire Grey Pictures? They're the first in the industry to make one. I'm sure they keep up a steady stream of movies. We also hire directrey to make movies for us."
When he said that, a lot of people heir heads and thought it was a great idea.
But one person didn't agree.
"Fuo! I'd rather rape no-resses than agree to that!" A fat guy smmed his fists oable in anger. His saliva flew around out e.
"Harvey, we all know you rape no-resses anyway, so your statement is stupid."
"My answer is still no."
Harvey Weinstei a low profile after what happened with the Bir Witch Project. He was still the iramax, but he usually hid from the media because of the backsh from the Bir Witch Projebsp;
"Let's do this, let's vote on this possible venture." Michael Eisner initiated.
He was also on the side of acquiring Grey Pictures. He hoped that the executives would focus more on the acquisition, rather than finding fault with his administration.
Acquiring shares of a billion dolr pany was not that easy, so this vote was just an initial proposal.
A few mier, more than 70% of the executives agreed to the acquisition of Grey Pictures. Many of them believe that Grey Pictures could help Walt Disney in terms of its weakness, which was live aovies. After all, Walt Disney was fog more on animation and children's movies.
After this meeting, the executives had one more thing to do. They have to do their own research regarding Grey Pictures.
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After the premiere of The Hangover Part 3, Kazir returo ada to tinue filming The Revenant.
He was a little disappoihat he couldn't get in touch with Angelina at that time. He eveo the studio building where How To Lose A Guy In 10 Days was shot. However, the security guards didn't let him in because the ses of the movie were supposed to be kept secret and unauthorized people weren't allowed inside.
Eventually, Kazir returo ada. It took awo months to plete all the shots, Tom Cruise and the cast were on fire because of their great performance. So the filming ended sooner.
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