Hollywood What If Chapter 9

  [SHOUT OUT TO ENES AND DUKE YORK]

  The filmi smoothly. David Fincher worked hard after the failure of "Alien 3". He uood that this was his sed ce to prove himself.

  As he fought for his dreams, Kazir Grey watched him.

  Kazir's job after he was done as a swriter was simple - miseous work. He helped take down ses, move photographic equipment, and order take-outs.

  He just did his best to help the crew. After all, this movie was born from his script and he wao see it succeed.

  'If Se7en is successful in the emas, I will have achieved great success and it help me in my career.'

  "Cut! That's it."

  David's voice echoed and everyoarted to move the set. Their se was the one where Detective Mills would front the serial killer in the alley.

  In the script, it was raining aive Mills had a hard time fag the serial killer. He almost lost his life. Fortunately, the serial killer let him go.

  "The sprinklers should work fine," Kazir said. He was one of the people who set the sprio make artificial rain.

  To keep the cameras from getti, it was covered with clear pstibsp;

  "Se7en, back alley se, act three..."

  The assistant said, closed the cpperboard, and the shoot began.

  In the se, Detective Mills leaned against the dumpster. He was cold and scared. He anting. His face was bleeding.

  A gun oi his head, almost toug his scalp. He khat one pull of the trigger and the bullet would sptter his brain.

  But the serial killer didn't kill him. He left him out in the cold rain.

  "Cut! Let's take a ten-minute break and do it again."

  David announced.

  Brad Pitt's personal assistant approached the actor and ed him in a hot towel. Nobody wants the actors to get cold during a shoot, it costs money and time.

  Brad Pitt looked at David Fincher and wondered if he had made a mistake.

  "Brad, I'm sorry, I'll talk to you ter. I'm going to talk to someone first."

  "Okay, director."

  Even though he is a director who flopped "Alien 3" ires, actors and actresses still respect David Fincher.

  In filming, the director is always the king.

  Besides, making a good impression was the best way to get more roles. Brad Pitt believed that David Fincher had what it takes to be successful.

  "Kazir."

  Suddenly, David called Kazir. Probably asking about things reted to the plot.

  "What do you think Mills should do in the face of death?"

  The answer was obvious, but it seemed that David Fincher was asking for something. He looked fused as if he had fotten something.

  He watched the ses ahat something was wrong. As the writer and director of three films, David respected Kazir's opinion.

  "David, this is just my hunch. But I think Mills is not afraid of death, he is afraid of something else."

  "What do you mean?" David frowned.

  "Let's see... I think Mills is afraid of leaving his wife alone when he's dead. But that's just my opinion."

  Kazir uood that this wasn't his movie and he had no trol over it.

  "I see. Let's try to film it that way. Thanks, Kazir."

  "No problem."

  Making a movie was not a one-man show. It was a team effort, and everyone respected each other's roles. Kazir studied the crew and everyone had a tacit uanding.

  'I heard they were David's crew. I guess that's why their bond is s.'

  Kazir didn't have a perma crew, but he knew a few people he could hire whenever he had a movie to shoot. Just like him, they were freencers who didn't have a perma crew.

  'I wonder what they do. I talked to Rewo weeks ago and he is still w in a camera rental business.'

  "Kazir."

  While Brad Pitt and Kevin Spacey were having their on-camera frontation, Man Freeman approached Kazir.

  This is Hollywood aw is a very powerful on. Man Freeman heard that Kazir Grey was a director.

  Mahe script and was intrigued. He found out that Kazir wao direct it, but ma didn't agree, so Kazir gave the job to David Fincher.

  Man uood that many directors would never lower their position to a mere swriter. Hell, even swriters wao direct their own movies.

  One day, Kazir would start his own project. When Kazir became famous, it would never hurt to have an association with him before he became famous.

  The man in front of him might be younger, but he took him seriously. After all, the 26-year-old man in front of him wrote a script Se7en.

  This movie would bee a cult cssic. Maybe it would wipe out the thriller detective genre because no one could top it.

  "Man."

  "Kazir, I read the script and it's a mystery to me how you wrote it. you holy tell me what's in the box? I want to know if it's really 'that thing' in the box?"

  "Ah, about that... You figure it out for yourself." He chuckled.

  He didn't know how to expin it.

  Man Freeman didn't force him and ughed with him. They were far from the set so they could talk casually.

  David Fincher uood that the shooting would end in two months and that the st se would be the "what's in the box" se. Maybe David wanted everyoo see it st because it was disturbing.

  Anyway, Kazir didn't know the exact reason.