Hollywood What If Chapter 360

  "gratutions, Director."

  "Ah? Yes, thank you."

  Kazir nodded fusedly as he ehe Blue Sky Studio building. This was the first time he had been to this pce, so he was fused when the security guard gratuted him. He was not even sure what the guard was gratuting him for.

  'Is he talking about Pirates of the Caribbean? Or maybe The Equalizer?'

  Kazir was not sure.

  Both movies were making a lot of mo the box offi September 6.

  Pirates of the Caribbean: The Curse of the Bck Pearl has already grossed 280.44 million at the North Ameri box office. Overseas, the film has currently grossed more than 172 million. The worldwide box office for Pirates Of The Caribbean has now reached 452 million.

  The movie was still making money iionally and its reception was mostly positive. The pirate theme was not on, but people liked Pirates Of The Caribbean.

  As for The Equalizer, it grossed 170.25 million at the North Ameri box office. The movie just had its first week of iional release and made 48 million.

  As for the other movies released in the same month (August) as The Equalizer, their performances were mediocre.

  Ameri Wedding, Freaky Friday, S.. and Freddy vs. Jason, their genres and popurity were nothing pared to a CCU movie.

  They couldn't pete with The Equalizer in the long run. This shows how much Grey Pictures has struck gold with their franchises. All they had to do was set the movie in the Civerse and audiences would buy tickets just to see it.

  However, Kazir was adamant that the tial ematiiverse should focus solely oion genre. He had no iion of adding drama, edy, or romao CCU. It would lose its appeal, Kazir felt.

  'Now that I think about it, my birthday is ing up... Maybe the guard wished me a happy birthday earlier. Probably not. I know I'm famous now, but most people probably don't know when my birthday is or any other information about me.'

  He turned 35 this month. He made sure to stay healthy by going to the gym. In fact, he went to the gym just an ho before heading to Blue Sky Studio. His physique looked amazing, but Kazir knew he was rarely getting 8 hours of sleep tely. His schedule was so packed and he was busy most of the time.

  Blue Sky Studio was an Ameri visual effects and puter animation studio based in Greenwich, ecticut. Although the pany had an office here in Los Angeles, where Kazir was currently.

  Blue Sky Studio was a subsidiary of 20th tury Fox. This pany was desigo pete with Pixar and DreamWorks Animation in the 3D animation industry. Hollywood knew how much mohese 3D animated films made each year.

  Toy Story alone, a single franchise, was worth over 1 billion based on the revenue geed, such as merdise and movies. God knows how many Toy Story toys and merdise Disney has sold.

  Naturally, 20th tury Fox wanted a piece of that delicious pie. So Blue Sky Studio was formed.

  'As I recall, Blue Sky Studio produced Rio, Robots, The Peanuts Movie, and other 3D cartoons. But their most successful franchise is Ice Age. This is also their first movie.'

  Ice Age was released st year and its performance gave Blue Sky Studio and 20th tury Fox hope. The film grossed 383 million.

  But pared to Pixar, the best in the business, Blue Sky Studio's animation ale and bnd. It didn't have much to say in terms of animation.

  After Walt Disney acquired 20th tury Fox, Blue Sky Studio closed down miserably because Walt Disney didn't need another animation studio. Walt Disney already had Pixar and Disney Animation.

  Blue Sky Studio died in 2019, along with Fox. Of course, one of the reasons for the closure of Blue Sky Studio was the ck of profit.

  Only Ice Age and Rio were the famous franchises of Blue Sky Studio, unlike Pixar and DreamWorks Animation films, which had dozens of franchises to make profits.

  20th tury Fox believed that Blue Sky Studio could pete with Pixar and DreamWorks Animation, but it o excel in other areas.

  Blue Sky Studio's 3D animation was not bad, but it was not good either. The teology was improving every year, and their animation would probably catch up as the teology matured.

  The reason Kazir came to this pce was because of the scripts Tom Rothman wanted him to write. Everyone khat Kazir was a talented swriter and his stories made money.

  If Blue Sky Studio couldn't beat Pixar at animation, why not at storytelling?

  Finding Nemo was a heartwarming movie... Surely Kazir could cook up something simir, right?

  As a veteran of Hollywood, Kazir was also ied in the animation market. Since he had been given the opportunity to participate in Blue Sky Studio, he wao make sure that his participation was worthwhile.

  He had "e up" with three scripts for different purposes.

  The first was Wall-E. In terms of plot, this movie was parable to Finding Nemo. It won many awards, including the Academy Award for Best Animated Feature. The box office was not bad either, grossing more than 500 million. Kazir liked this movie and he believed that this movie was not only for children but also for adults. No, it was actually meant for adults because of its plot alone.

  As for his sed script, he decided to write one of the highest grossing franchises in the animation market. Cars!

  Cars, starring Lightning McQueen. This franchise grossed more than 21 billion in reve had a simple plot, but the profit it geed was not so simple. Pixar struck gold with Cars.

  The third was more in his forte, Kazir wrote the script for Kung Fu Panda. A 3D animated film based on a panda. It focused more on a and fighting, so boys and men would definitely like it.

  Betweehree, Cars and Kung Fu Panda were successful franchises that had multiple sequels. With Cars being the most profitable.

  While Wall-E was more focused on y and prestige, it didn't have a sequel and was also the least profitable.

  +++++

  [Author's note: I almost suffered from a disease called procrastination. Fortunately, I persevered and updated three chapters today].