Hollywood What If Chapter 361
Kazir thought about it seriously and he had an idea which of the three movies Blue Sky Studio would accept.
Blue Sky Studio was a business, not a charity. Its priority was to make money. Obviously, Blue Sky Studio would prefer Kung Fu Panda and Cars for their seovie.
Wall-E seemed promising, but its profitability was too low pared to those two.
Kazir stepped into the elevator knowing how the versation would go. He had been in the business for more than seven decades, adding his past life. At the end of the day, produ studios only made movies because they needed money.
Art and passion were just the freebies, but money was the main reason there were thousands of movies being released every year. The reason why many people wao bee actors and bee famous.
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Carl Ludwig wiped his forehead for the nth time, quite nervous aed. Carl Ludwig was one of the founders of Blue Sky Studio, he currently held the position of President/Producer after 20th tury Fox became ied in 3D animated movies and ied in Blue Sky Studio.
After the success of Ice Age st year, the parent pany (20th tury Fox) gained fiden Blue Sky Studio. They were willing to i more money just to make sure that Blue Sky Studio would pete with Walt Disney and Pixar, the leading panies in the animation industry.
Last year, shog news was released. 30% of Grey Pictures was acquired by 20th tury Fox and the two panies made sure that this venture would be profitable for both of them.
Carl Ludwig was a big fan of Kazir Grey. He loved aovies and fell in love with Kazir's filmography.
In his opinion, The Matrix, Fight Cl*b, Kill Bill and Charlie's Angels became successful because of the gehat CCU paved for them.
The greatness of realistic a stunts was realized and many studios started to follow the trend. Today, most aovies take advantage of CCU.
Speaking of CCU, it was the first of its geo make billions at the box office. Acc to the estimate of Forbes magazihe worth of CCU was more than 20 billion dolrs as of this year. This worth would tio grow as long as CCU tio do its job well.
There were some rumors that some of the Big Six were pnning to create their own ematiiverse, but there were no official annous to support this. Though Carl khe Big Six were salivating at the idea.
Carl Ludwig was surprised that he would be meeting Kazir today. He even has posters of his movies in his office... He hoped that Kazir would sign them.
Carl had already read the three scripts, but they were inplete. No one wanted a data leak, much worse if Kazir's scripts were stolen.
Carl liked Wall-E and was amazed at how Kazir wrote it. He was curious how Kazir could write su amazing plot.
But he khat this time, Wall-E might have to be put on a pedestal. 20th tury Fox wao see what Blue Sky Studio could do, and the best way to show it was to make money.
Heck, they eve Kazir here just to make sure the future of Blue Sky Studio would be positive.
His ph, inf him that Kazir had arrived.
Carl wiped his forehead again and put on his best friendly smile to greet the most sought-after director of the era.
"Good m, director."
"Good m."
As always, business meetings began with a handshake.
Kazir and Carl sat down and the director couldn't help but look around. His attention was drawn to some of the posters.
Waaken, John Wibsp;
Most of the posters were movies he had directed.
'Is this a way to make a good impression?' he thought to himself.
"Director, I'm actually a fan of yours. I like your movies."
"That's great to hear. Maybe I sign your posters to show off to yuests."
"That would be nice."
The two began to talk about their pns, and their versation turo the scripts.
"I think Wall-E deserves to be animated, but we should wait for the right time. For now, let's focus on stable gehat kids will love. After all, they are the main audience."
Wall-E had a certain seriouso it, and kids might be fused or not like the movie. Well, Kazir khat as long as they followed the inal version, Wall-E would do well at the box office.
"I think we should make Cars instead. I imagine how boys would like that movie." Carl added.
"Indeed, although I think Kung Fu Panda has a ce as well." Kazir nodded.
"Director, if you don't mind, we're hoping you'll take the position of executive producer on this project. We need your talent."
"Executive producer, huh..."
Kazir was the Executive Producer of so many projects this year a year, but he only visited the sets a few times to che the projects.
If he became the Executive Producer for Blue Sky Studio, he might have to spend one day a week in this pce.
"Of course, we will make sure that this will not affect your projects. We just want to hear your thoughts and suggestions."
"We he approval of 20th tury Fox."
"Oh, they will accept it for sure. We are talking about you."
"You are indeed a fan, you praised me quite highly. Then I have no problem."
"That's great to hear. Then I guess we have to choose Kung Fu Panda. You're a director who specializes iion genre, I think the ces of Kung Fu Panda being successful will be much higher now that yoing to be involved."
"I don't have a problem."
Cars was good, too, but Kazir was more fident about Kung Fu Panda because a was his forte.
"By the way, we are going to hire Dan Seider to direct this project."
Carl was thrilled that Kazir would be involved in this project.
"I'm sorry, what?"
"Dan Seider, from Nickelodeon. He produced a lot of shows at Nickelodeon like All That, Kenan & Kel, and The Amanda Show. I'm sure he knows how to get kids' attention."
Kazir eechless at this shog news!