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Hollywood What If Chapter 33
Hollywood panies.
Produ panies.
Movie/film panies.
Studio panies.
Film distribution panies.
There were a lot of ways to call them. But basically, they are known as movie/film panies.
Some film panies based their business solely on making movies. Other film panies had distribution els to distribute their films.
The tter panies were usually at the higher end of the pyramid. They earned more money by distributing their movies. There were two kinds of distribution, local distribution, and iional distribution.
The best examples of movie pahat had local distribution are DreamWorks, Lionsgate, and Miramax. They could freely distribute their movies in North Ameribsp;
Now, the film pahat have iional distributiohe stro. Especially the Big Six of Hollywood. These giants basically dominated iional distribution. They made a lot of money by distributing their movies around the world.
MGM was one of the Big Five at that time, but it slowly lost its lead. It still has its iional distribution, but it doesn't have mufluenbsp;
The Big Six of Hollywood are:
Walt Disney
Paramount
Universal Pictures
Sony-bia
Warner Bros.
20th tury Fox
These panies have dominated Hollywood for decades. Their influence was strong and their power was almost equal. No one could take the lead.
'Although i years before I die Disney has bee strohey bought Marvel and made billions from Marvel movies alohey also bought 20th tury Fox.'
Disney might be the stro film pany in the world.
'In the 90s and early 2000s, Warner Bros took the lead. With the Harry Potter franchise, Matrix, Lord of the Rings, The Dark Knight trilogy, and Diverse.'
Acc to Kazir, Disney and Warner Bros are the big brothers of Hollywood.
But let's not fet the runner-up.
"20th tury Fox."
This pany had created many masterpieces.
"Titanic, Avatar, Kingsman, Terminator and X-Men+Deadpool. When it es to movie franchises, 20th tury Fox pete with Disney and Warner Bros."
Unfortunately, this Hollywood giant was still acquired by the politically correct Disney.
Perhaps this was one of Kazir's greatest regrets in his former life. He saw one powerful pany kneel before another.
"Kazir Grey, good to see you again."
Tom Rothman walked over to Kazir and shook his hand. They both had a good impression of each other.
Nancy Utley stood o him, keeping her silenbsp;
"I'm happy to know that a person like Tom Rothman wants to meet me."
"Kazir, don't lower yourself. I believe you will have a great future. So when do we start?"
Tom Rothman saw that the projector was already ready and the sing could start at any moment.
"I'm sorry Tom, we please wait a few minutes? Apparently someone else wants to see this movie."
"That's fih me."
Tom Rothman nodded, but it was clear that he didn't feel well. Knowing that another person wao see Napoleon Dynamite. Tom Rothman easily deduced that it was a rival.
'The question is, whipany is it?'
The answer didn't take long. Another person appeared.
"Terry, I 't believe I'm seeing you here."
Terry Semel, the CEO of Warner Bros. Another heavyweight came to the sing. o him was Enrico Pusi. Producer Enrico Pusi saoleon Dynamite yesterday. He sent his summary to CEO Terry Semel.
In the end, Terry Semel decided to see the movie. To decide if this Napoleon Dynamite was worth iing in.
"It's the same for me. Tom, it looks like we are both ied in this movie." Terry replied.
"Indeed."
The two maintaiheir smiles. But deep ihey were cursing each other.
"Gentlemen, we are ready to start the movie," Kazir announced.
"Hm."
The two hey realized that this meeting could be maniputed by Kazir Grey.
This unknown director had phis meeting to increase his value. Very impressive, but it all es down to his movie.
If Napoleon Dynamite was that good, they would give Kazir a nice offer.
October 7, 1995. This year Kazir successfully took a step toward stardom.
The movie started and the two executives of Hollywood giants watched it seriously. They ughed along the way and accepted that Napoleon Dynamite was good. The delivery of the jokes was ued and funny.
YoU'rE MoM GoEs To CoLLEgE~
I shaved my hair because I feel hot.
Napoleon's bicycle act.
His u him in the face with a steak.
It was a good formu. At least the two CEOs had fun watg the movie. Plus, the st few minutes were funny because Kip sang a song horribly. They could not stop ughing.
"It's a good movie." Tom didn't have to lie.
"Thanks, Tom."
After the sing, the two CEOs returo their usual cold, domineering style.
Terry Semel and Tom Rothman wahe movie. That was clear.
"Before we start the iation, Kazir, I want to ask you something."
"Go ahead, Tom." Kazir nodded.
"Are you a Jew?"
"... That's right. My mother is from a Jewish family. Her grandparents are from Pond."
Kazir didn't expect to be asked about his race.
"Wait, you are Jewish?"
Terry Semel was surprised.
Jews have a lot of influen Hollywood. People may deny it, but it was true, Jews run Hollywood. Their presence was so great that they could decide someone's future.
In a way, if you're a Jew, your life in Hollywood would be much easier pared to other races.
In fact, both Terry Semel and Tom Rothman were Jewish!
Hell, even Michael Ovitz of CAA and Michael Eisner of Disney are Jewish people!
You see, the top positions in Hollywood were trolled by Jews.
Even Steven Spielberg, Stanley Kubrick, and Gee Lucas are Jewish people!
The two CEOs nodded when they realized that the person in front of them was one of them. The Jewish circle in Hollywood teo help each other.
'My mother is a Jew... She left us after she cheated on Dad.' He kept that to himself.
"Well, I guess my opinion has ged." Terry Semel shrugged.
They didn't force him to tell his story. Everyone had a sad story. It didn't ge the fact that Kazir was Jewish.
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