Hollywood What If Chapter 34
Robert Shaye. Founder of New Line ema.
Harvey Weinstein and Bob Weinstein. The founders of Miramax.
Ronald Meyer. The CEO of Universal Studios.
Terry Semel. The CEO of Warner Bros.
Tom Rothman. The CEO of 20th tury Fox.
Brad Grey. The CEO of Paramount Pictures.
Michael Eishe chairman of Walt Disney.
These people had ohing in on, they were all Jewish.
Yes, these bosses of giant film panies in Hollywood were trolled by Jews. This fact could never be erased. Most people in Hollywood uand this very well.
So to say that Jews trolled Hollywood was not an uatement. It was the truth.
Right now, Kazir Grey was standing in front of these two big bosses. He annouhat he was also a Jew, and they ged their minds about him.
After what happened in World War II. After the tragedy that the Jewish people faced at that time, they started to stand up and build their empire. Maybe that was the reason why Jews helped each other. Especially those who were persecuted in the 1940s.
So for the people who believe that the Holocaust didn't happen, all I say is that they are fug uneducated.
If you believe that these tragedies never happen, you have to ask yourself if you're even a human being.
"I get it, you're a Jew."
Terry Semel smiled as Tom Rothman nodded.
"But that doesn't ge the fact that we have to deal with you on a business basis."
"Indeed."
"Well, we will listen to you first. Kazir, how much do you want to sell the North Ameri distribution of Napoleon Dynamite? If it's not unreasonable, I may be able to agree."
Terry Semel assured him.
Kazir licked his lips. To be ho, he hadn't expected to meet these people all his life. He was just an ordinary person who loved to make movies. But now he was fag the big bosses of Hollywood.
He took a deep breath. Even Salvatore Barlowe beside him was nervous. His future depended on Kazir's decision.
"2.5 million dolrs and 10% of the North Ameri box office."
"Are you serious?"
"Yes."
Terry Semel and Tom Rothman looked at each other and chuckled. Indeed, everyone in this circle will fight for more money.
"Kazir. I tell you the truth, this offer is impossible. You don't have the ability to fight for such a dition. Instead, I pay you 3 million for Napoleon Dynamite."
Terry Semel might have a good impression of Kazir, but this was business. He would never be le.
After all, Jewish businessmen were known to be greedy people.
"I'll have to think about it," Kazir replied holy.
Terry Semel's dition was not bad. At least it was much better than what the others were .
"Then I guess my time here is up. Kazir Grey, I look forward t with you."
"I hope as well, Terry."
The two shook hands and Terry Semel stood up.
Together with Producer Enrico Pusi, Terry Semel left the studio.
"Enrico, tact Kazir ter. If the iations with Tom Rothman fail, you offer him 3.5 million. That's already my highest offer. If he asks for more, you stop."
"Yes, sir."
Terry Semel got into the car and drove away.
"Kazir Grey... Iing."
Another director of Jewish dest. Terry Semel was gd to know him.
"Kazir. To be ho, you piqued my i and I saw your three films. They are terrible."
Tom Rothman's ho opinion made Kazir grin.
"Thank you, Tom."
"2.3 million and 5% of the North Ameri box office. However, you only get the 3% if the film grosses over 50 million. 5% if it exceeds 100 million. What do you think? Are you fident about your movie?"
Tom Rothman smiled and spread his arms. He wao see Kazir's rea.
Just as he expected, Kazir had a grin on his face when he heard his offer.
'This man is insane. I don't know where he gets his fidence from. Maybe he is just halluating.'
"I agree." Without hesitation, Kazir nodded.
Napoleon Dynamite had never grossed more than 50 million in its previous life. Now that he had ged the movie, Kazir decided to gamble. He felt stupid aed at the same time.
"Fine. But I have to be clear. We will only open about 12 theaters for Napoleon Dynamite in the first week. We o test the market response before we expand the release of Napoleon Dynamite."
"I uand."
This was a normal thing. Kazir had expected it.
"It's good to work with you. I hope we will have a successful cooperation."
"Me too. Thank you, Tom."
When the ion was over, Salvatore Barlowe sighed. He had thought that Kazir would fight for more.
In Salvatore's opinion, 2.3 million was a lot of money. After all, he would get 69 thousand for that amount. For a small agent like him, 69,000 was already his annual sary.
The day, Kazir's wyer, Terrence Downey, read the tract before Kazir sig. The tract stated everything Tom Rothman had promised.
If the movie made over 50 million in North America, he would get 3%.
If the movie made over 100 million in North America, he would get 5%.
In addition, Kazir received 2.3 million in cash. In his entire life, Kazir had ouched such a rge sum.
Kazir was satisfied with the iation.
Tom Rothman tehe signing because he was busy. He sent Nancy Utley instead.
It was already a miracle that a CEO like Tom Rothman had met him st time.
.........
......
...
"Sir," Enrico Pusi pursed his lips as he eerry Semel's offibsp;
"What's the news?"
"Kazir Grey has signed a deal with Fox Searchlight Pictures for 2.3 million and 5% of the box office with few ditions."
"I see," Terry Semel nodded. He already had ahat Tom Rothman would agree.
To be ho, that kind of dition was within his expectations. But Terry felt that Kazir didn't have the status to sign such a trabsp;
"Either both of them are crazy, or one of them is."
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